PDF Ebook Black Hole (Pantheon Graphic Library), by Charles Burns

PDF Ebook Black Hole (Pantheon Graphic Library), by Charles Burns

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Black Hole (Pantheon Graphic Library), by Charles Burns

PDF Ebook Black Hole (Pantheon Graphic Library), by Charles Burns

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Review

Winner of the Eisner, Harvey, and Ignatz Awards"Smoldering brilliant... What Burns does so memorably here is blend the erotic and the frightening to create a black hole the reader will want to visit again and again."--The Boston Globe"The best graphic novel of the year... One of the most stunning graphic novels yet published."--Time"Black Hole is Burns's masterwork."--The New York Times Book Review"Surreal and unnerving... A remarkable work."--Chicago Sun-Times

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About the Author

Charles Burns grew up in Seattle in the 1970s. His work rose to prominence in Art Spiegelman’s Raw magazine in the mid-1980s and took off from there, in an extraordinary range of comics and projects, from Iggy Pop album covers to the latest ad campaign for Altoids. In 1992 he designed the set for Mark Morris’s delightful restaging of The Nutcracker (renamed The Hard Nut) at BAM. He’s illustrated covers for Time, The New Yorker, and The New York Times Magazine. He was also tapped as the official cover artist for The Believer magazine at its inception in 2003. Burns lives in Philadelphia with his wife and two daughters.

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Product details

Series: Pantheon Graphic Library

Paperback: 368 pages

Publisher: Pantheon; Reprint edition (January 8, 2008)

Language: English

ISBN-10: 0375714723

ISBN-13: 978-0375714726

Product Dimensions:

6.6 x 1.3 x 9.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

201 customer reviews

Amazon Best Sellers Rank:

#28,460 in Books (See Top 100 in Books)

I read Black Hole for my graphic novel class. I had never heard of, and had no idea what to expect. Although it doesn't have page numbers, Goodreads says it is 352 pages long. It felt a lot shorter than that, as it moved extremely quickly. I finished it in two sittings. However, the content makes it seem longer -- this was a strange book.Black HoleI honestly got confused with this plot, which isn't something I can say about a lot of novels. This may have been, in part, because of the fact that two male characters (and even the main female character) all looked alike -- they all had black shoulder length hair with short bangs. I plan to go back through, and reread the novel again knowing that the two guys, Keith and Rob, are not the same person. Now this may have been a hard mistake to make for some, but it made things a little confusing at first for me.I believe the basic plot takes place in the 70s and is structured around Rob and Chris, who have a rocky start to a relationship, and their various friends. The other possible main character is Keith, who I figured out was a separate person from Rob about halfway in... All these people are somehow dealing with a type of 'bug' or disease that is being spread through sexual contact/saliva that physically disfigures people in strange ways (facial restructuring, growing new body parts -- Rob's second mouth, for example). This was really odd, and not well explained, but interesting all the same. This disease is incurable, and makes people social outcasts. Many who have it resort to living in the woods, stealing food to get by, and avoiding normal society.One thing that really struck me about this book was, unsurprisingly, the artwork. Partially because the characters do drugs quite a bit, and also partially due to the weirdness of their world, the artwork was beautiful and mind-opening, and just absolutely wonderful in every way. I know it sounds like I'm fawning over the art -- probably because I am. One character does artwork throughout the book, and you get to see some of it, and even that is wonderful in a weird, disturbing way. I spent much longer taking in the details of the strange layout (when Rob is tripping on LSD) than looking at the words that just described what he was seeing. The panels start to get wavy, start to weave into one another, and start to change shape when things get trippy -- I feel this was a fantastic way to help the reader know what the characters were experiencing.If you don't have an open mind about drugs, sex, and horrible teenage actions, I would warn you away from this book. However, if you are open to that sort of thing, I would highly recommend it. Even the 'sexual' drawings, shoot, even the art from the pornographic magazines, didn't feel out of place or negative. It all fit in so well with the content of the story, that I think it really worked. The only downside (if I can even call it that) is the confusing plot. I think on a second read, everything will clear up a bit. Though I know some of it won't -- that's part of the mystery of the book; the full spreads of black pages with a few white, spiraling objects makes you question the story, the characters, and their motives. Overall, I really enjoyed this book, and definitely plan to reread it soon.

This is a very clever idea for a book: a new STD appears among a group of teenagers. This particular STD causes the body to be "disfigured" in unpredictable and grotesque ways. A kid might grow a tail, or an extra mouth, or webbed fingers... It quickly makes these young people outcasts, who have to try to figure out what to do with themselves. Some try to hide their differences and fit in while others take to the woods and live on their own.The artwork here is also very good. The story is told in black and white but much heavier on the black than the white. Some pages seem almost completely awash in ink with only pinpricks and slashes of white showing through to create the images. It is beautiful and eerie, completely appropriate to the story.If there is a weakness here it is that the story doesn't quite live up to the set-up and the art. The plot builds only very gradually and the pay-off isn't really worth the time invested in getting to it. It felt like Mr. Burns got a bit weary, and ended things quickly with a cliché-ridden bow. Still, for the most part, there's a lot to enjoy.

Having lived in Seattle for six years while I was in college, the haunts that the characters inhabit seem especially vivid to me. The author absolutely nails the feeling of the region which gives me goosebumps upon reading. The reader can feel the setting getting in to their bones, inhabiting their moods. It is not a stretch to imagine the outsiders (myself included at the time) who hung out at Ravenna park to be infected with some sort of disease. One of the beauties of this story is how the author expands on the troubles of adolescence. The alienation is cast more clearly when it is found out that many of the teenagers have diseases that turn their bodies in to disgusting writhing masses. Youthful sexual encounters are tainted when naked bodies expose the ugliness within. While not much more than a collection of scenes, this book captures the feeling of youth as well as any other author. Adolescence is a time when people feel awkward about who they are. Not yet intelligent enough or self-aware to be confident in who they are, they float in some sort of netherworld between a childish innocence and a purpose-driven adulthood. Some teenagers, often the popular ones, through ignorance innocently pretend to have their act together, to know what is going on. But they too can catch the disease of social awkwardness and self-doubt as the characters in the book catch a much more horrid disease. The outcasts who are infected with this awkward disease yearn to be normal. They construct collages of normal bodies in hopes of understanding their sexuality. The normal kids come upon these collages and are horrified for the window in to self-doubt that is opening to them. This is the feeling of adolescence. No other book I've read does as good a job of capturing this fascinating period.

I first remember reading Charles Burns in RAW magazine back in the 1980s, and his work still has the ability to unsettle even the most jaded reader. Whether it is the stark black and white drawings (which have the feel of an alien woodcut) or the topics (which take the alienation of teenagers and misfits seriously, without a wink or a nudge) it is hard to read Burns without being awed and horrified in equal measure. Black Hole is Burns' magnum opus, and it is worth every chilling panel - a virus spread by sexual contact is ravaging a group of teenagers in the 1970s, but there is so much more to this book than the superficial plot. One day, Burns may be thought of in the same category as Roberto Bolano and other literary stars with a passion for the disturbing. One can only hope so, at least - highly recommended.

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PDF Download Women Talking, by Miriam Toews

PDF Download Women Talking, by Miriam Toews

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Women Talking, by Miriam Toews

PDF Download Women Talking, by Miriam Toews

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Review

"Miriam Toews is wickedly funny and fearlessly honest… She is an artist of escape; she always finds a way for her characters, trapped by circumstance, to liberate themselves." - The New Yorker"The book is a feminist manifesto that delicately unwraps the horror, but also bubbles with the love and wry humor that has endeared Toews to readers." - The New York Times"A painful, thought-provoking, strangely lovely gem rendered broadly relevant by our #MeToo moment....At the heart of Women Talking lies the question of how women can create a better world for themselves and for those they love amid a culture of male sexual violence, the continued power of patriarchy, their own differences, and the limits of language itself. It’s a question that resonates across the globe today, and in answering it, we could do much worse than to start with the manifesto of the women of Molotschna: “We want our children to be safe . . . We want to be steadfast in our faith. We want to think." - The Boston Globe"An astonishment, a volcano of a novel with slowly and furiously mounting pressures of anguish and love and rage. No other book I've read in the past year has spoken so lucidly about our current moment, and yet none has felt as timeless; the always-wondrous Miriam Toews has written a book as close to a Greek tragedy as a contemporary Western novelist can come." - Lauren Groff, author of FATES AND FURIES and FLORIDA"The award-winning novelist returns with what may be her most experimental work yet, giving voice to eight women as they grapple with the trauma and power of patriarchy." - Entertainment Weekly, “50 Most Anticipated Books of 2019”"I am in awe of this novel. In Toews's brilliant design, eight women in a Mennonite hayloft manage to lay bare the rancid global root system of patriarchy. Their story is terrifying, joyful, gruesome, and magnetic. What a reckoning--and what a gift." - Leni Zumas, author of RED CLOCKS"I would follow the Canadian author anywhere she leads ― this time to a remote Mennonite colony in Bolivia where the women have been subjected to brutal attacks in the night first believed to be the work of demons. When they discover the atrocities were committed by men in their community, the women ― who cannot read or write and require the group’s schoolteacher to write down their conversations ― must decide whether they will leave, exiting the only world they’ve known, or remain." - Huffington Post, "61 Books We're Looking Forward to Reading in 2019""This stark, masterful story takes a timely look at ideas of justice and agency." - Esquire, The Best Books to Read This Spring"One of the most exciting novels coming out this year." - LitHub, "Most Anticipated Books of 2019""Sharp and devastating… a testament to the power of women’s collective voices." - Buzzfeed"Toews nimbly navigates this complicated story, laden with relevant political overtones, offering a scathing condemnation of the patriarchy, as well as a sense of hope for a future run by those who won’t stay silent about the horrors around them." - Nylon, "50 Books You'll Want to Read in 2019""A flawless, ferocious work of art. I have yet to read a more scathing indictment of patriarchal violence, or a more illuminating quest to comprehend the most vital contours of the human experience: what is agency, what is meaning, what is justice, what is love. This is the kind of novel that changes you. Get ready." - Laura van den Berg, author of THE THIRD HOTEL"Miriam Toews has written a modern classic as real and warm and terrifying as a pail of fresh blood. It's a perfect work of art that will leave you ill with awe." - Catherine Lacey, author of THE ANSWERS and NOBODY IS EVER MISSING"[A] sharp blade of a novel . . . Toews’ knowing wit and grasp of dire subjects align her with Margaret Atwood, while her novel’s slicing concision and nearly Socratic dialogue has the impact of a courtroom drama or a Greek tragedy." - Booklist, Starred Review"Powerful . . . This is an inspiring and unforgettable novel." - Publishers Weekly, Starred Review"An exquisite critique of patriarchal culture . . . riveting and revelatory . . . Stunningly original and altogether arresting." - Kirkus Reviews, starred review"Unforgettable." - PureWow"Women Talking wants another world to be possible, and in the re-scripting of reality into fiction, attempts to imagine it where it has not yet grown of its own volition . . . The novel reminds us how difficult it is to know how to live, forgive others or ourselves, seek justice, or know freedom. No matter the depth of their solidarity, we can imagine that each individual will undoubtedly spend a lifetime coming to their own answers, seeking knowledge with their own hard-won words. But we can hope that the common questions asked by women talking, by Women Talking--their listening, their anger and love, their sometimes vastly differing conclusions--might offer a further way of seeing and finally choosing." - Madeleine Thien, author of DO NOT SAY WE HAVE NOTHING, Literary Review of Canada"WOMEN TALKING is one of the most anticipated books of the year for a reason. The story (based on true events) focuses on eight Mennonite women who ― after being repeatedly drugged and attacked by a group of men in their community ― meet in secret and decide how to reclaim their lives not just for their own future, but also for their daughters." - Woman’s Day, Best Fiction Books of 2019

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About the Author

Miriam Toews is the author of six previous bestselling novels, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, and Irma Voth, and one work of nonfiction, Swing Low: A Life. She is winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize, and the Writers' Trust Engel/Findley Award. She lives in Toronto.

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Product details

Hardcover: 240 pages

Publisher: Bloomsbury Publishing (April 2, 2019)

Language: English

ISBN-10: 1635572584

ISBN-13: 978-1635572582

Product Dimensions:

5.9 x 0.9 x 8.6 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#3,032 in Books (See Top 100 in Books)

This book was no fabulous read, was definitely hoping for more and the ending was disappointing. Each for their own.

I loved the story, and Toew’s straight forward, compelling presentation of characters.

Really could not get into it

This is a fictionalized account of a real-life occurrence."Between 2005 and 2009, in a remote religious Mennonite colony, over a hundred girls and women were knocked unconscious and raped, often repeatedly, by what many thought were ghosts or demons, as a punishment for their sins." As it turned out, 8 men from the colony were responsible for these attacks, and they were arrested and sent to prison for their crimes. But some of the girls that attacked were as young as three, and, as can be imagined, sexually transmitted diseases, unwanted pregnancies and PTSD were rampant. This book tells us how 8 fictional women meet together in a hayloft, and how they plan to protect themselves and their children by leaving the colony. The book is written as minutes of the meetings that were held in that hayloft. None of the 8 women could read, so they recruited a man to do the recording for them. The book unfolds as August Epp, who is a teacher in the colony, begins to fully understand what these women have been putting up with for many years. It's a story of survival and a story of women taking back their power over their own destinies. It's a difficult book to read, but it's an affirmation of the strength of women and also a testimonial to their determination to do whatever it takes to save their children and grandchildren. Miriam Toews does a masterful job of putting this down in writing, and with her stark prose, and her wonderful grasp of getting to the main issue, this book is a must-read for women today. The "me-too" society has brought all this to the forefront these days, so the book is timely and appropriate.

It was so interesting to read about women, with such rich vocabularies, yet unable to read or write. It was reminiscent of cultures with oral histories. I yearn for a sequel.

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Free PDF Map Pack - Sudan & Eritrea

Free PDF Map Pack - Sudan & Eritrea

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Map Pack - Sudan & Eritrea

Free PDF Map Pack - Sudan & Eritrea

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About the Author

ITMB Publishing (International Travel Maps and Books) prepares detailed travel maps and atlases of countries and regions around the world, specializing in Africa, Asia, Canada, the Caribbean, Europe, the Middle East, and Latin America. As a publisher, ITMB has released more than 425 titles to date and is adding about 30 new titles each year.

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Product details

Map

Publisher: ITMB Publishing LTD; 1st edition (September 8, 2015)

Language: English

ISBN-10: 1553417526

ISBN-13: 978-1553417521

Package Dimensions:

9.9 x 4.6 x 0.5 inches

Shipping Weight: 4 ounces

Average Customer Review:

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Amazon Best Sellers Rank:

#5,564,336 in Books (See Top 100 in Books)

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