Rabu, 21 Oktober 2015

Download Ebook , by Reia

Download Ebook , by Reia

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, by Reia


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Product details

File Size: 244369 KB

Print Length: 180 pages

Publisher: Seven Seas (April 23, 2019)

Publication Date: April 23, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07P5KV3JY

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#22,135 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Minggu, 18 Oktober 2015

Ebook Criticizing Photographs: An Introduction to Understanding Images

Ebook Criticizing Photographs: An Introduction to Understanding Images

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Criticizing Photographs: An Introduction to Understanding Images

Criticizing Photographs: An Introduction to Understanding Images


Criticizing Photographs: An Introduction to Understanding Images


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Criticizing Photographs: An Introduction to Understanding Images

About the Author

Terry Barrett is Professor of Art Education, with a joint appointment in the Department of Art, at The Ohio State University, where he is the recipient of a distinguished teaching award for courses in criticism and aesthetics within education. He has authored four books: Interpreting Art: Reflecting, Wondering and Responding; Criticizing Art: Understanding the Contemporary (2nd ed.); Criticizing Photographs: An Introduction to Understanding Images (4th ed.); and Talking about Student Art. He edited the anthology Lessons for Teaching Art Criticism, published articles in Aesthetic Education, Afterimage, Art Education, Exposure, Camera-Lucida, Dialogue, Cultural Research in Art Education, New Advocate, New Art Examiner, Studies in Art Education, Teaching Artist Journal, Theory into Practice, Visual Arts Research, and many chapters in edited books. He is an art critic in education for the Ohio Arts Council, consults museum education departments, juries exhibitions, and conducts workshops on studio critiques and writing.

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Product details

Paperback: 312 pages

Publisher: McGraw-Hill Humanities/Social Sciences/Languages; 4 edition (July 21, 2005)

Language: English

ISBN-10: 0072977434

ISBN-13: 978-0072977431

Product Dimensions:

7.3 x 0.5 x 9.1 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

55 customer reviews

Amazon Best Sellers Rank:

#323,156 in Books (See Top 100 in Books)

The content provides a new perspective in looking at photography, especially looking at my own photography. I have learned some things. Some concepts were challenging to my belief sets while concurrently confirming some old suspicions about the formation of public opinion. My purchase and review is based on a used 4th Edition. The book was worth the ten bucks. This free review?....you get what you pay for :)

This is the best book I've ever read about HOW to judge a photograph.No, it isnt a theory of photography, advocating one critical stance to the exclusion of others.its about DOING criticism, and the means by which someone can thoughtfully evauluate whether a photograph works. In this regard, it is unequaled. Having been deeply involved in the photographic arts for over 40 years, I have rarely encountered a book thats given me so much to think about conceptually.Don't let the negative reviews dissuade you. Invariably, these reviews are judging this work for being what is isnt meant to be i.e. a critical treatise advocating a certwin way of evaluating a photograph premised on certain criteria. Its not meant to be that. Instead, it gives you a framework within which to use whatever critical theory you advocate to thoughtfully evaluate a work. Exceptionally well done.

When I reviewed the third edition of this book several years ago, I didn't rate it highly, but I thought that perhaps the fourth edition might be a better book, and it is.Despite its subtitle, which might lead you to believe it is about understanding pictures, the bulk of this book is directed at formal criticism of photographs. After an introductory chapter on the nature of criticism, Barrett suggests a process for criticizing photographs that includes description, interpretation and judgment. The author also suggests a classification scheme for photographs which he believes could be useful in forming judgments, although I found it no better then many other taxonomies and at times difficult to apply to many photographs. Throughout he mentions many schools of analysis, like formalism and feminism and shows how these schools might influence criticism. He then launches a foray into photographic critical theory which is concise but accurate and which deals with such questions as the truth and morality of photography. He finally talks about the act of writing criticism and also about critiquing photographs.Barrett illustrates his points with many helpful examples of written criticism. Most of the examples deal with pictures of the modern or post-modern school, but the information is transferable to other kinds of photography. The book is illustrated with both color plates and black and white plates, although the black and white plates are spread throughout the book, which leads to a lot of page flipping. It would be nice if the next edition included a page number when these plates are referred to.The subtitle, "An Introduction to Understanding Images" might lead one to expect that there would be some insights into how and why photographs work but I became aware that Barrett presumed his audience would have some prior knowledge of this. Thus while he spoke of the importance of a photographer's technique in understanding a photo, there was no mention of how technique might be used to convey a photographer's vision. In the earlier edition, I found this a serious weakness, but it now seems clear that the author expects that this kind of information will come from somewhere else. On the other hand, the careful reader will derive some idea of what to look for in a photograph by reading the many examples.No one wanting to come to an understanding of how to read a photograph from a single volume will learn to do so from this book. In fact, no one volume is likely to do that, although a book like "The Photographer's Eye" by John Szarkowski would be a good place to start. On the other hand, for the individual who knows something about the nature of photography, or within the context of a larger course of study, this is a good book to begin to learn how to write photographic criticism.

I was looking for something to give me a feel for how the "academic community" teaches someone how to write effective criticism of photographs, and this book gave me that information. It showed a clear methodology for approaching and writing a critical review of a photograph, which is what I wanted to learn. It also provided some information on different kinds of critical theories. It was certainly worth the price, at least for me, in terms of what I was hoping to learn.

My teacher required this for my first photography class and it provided an intriguing view into the world of photography. This book gave a pretty well description of the various forms and techniques of photography, sometimes focusing more on certain artists and not an overall discussion.

As a person interested in the history of photography as well as a serious photographer, I've found this book to be a great help in getting the most out of a photograph. Unlike the snap judgments of a photo club, the book explains a logical sequence of steps to understanding. I found it especially helpful in reviewing photographs which are hard to appreciate for aesthetic reasons. Highly recommended.

Very in-depth and informative.

its in a very very good condition! looks like a brand new one!

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Jumat, 16 Oktober 2015

PDF Download The Kitchen House: A Novel, by Kathleen Grissom

PDF Download The Kitchen House: A Novel, by Kathleen Grissom

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The Kitchen House: A Novel, by Kathleen Grissom


The Kitchen House: A Novel, by Kathleen Grissom


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The Kitchen House: A Novel, by Kathleen Grissom

Orphaned while onboard ship from Ireland, seven-year-old Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master's illegitimate daughter, Lavinia becomes deeply bonded to her adopted family, though she is set apart from them by her white skin. Eventually, Lavinia is accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself perilously straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, dangerous truths are laid bare, and lives are put at risk. The Kitchen House is a tragic story of page-turning suspense, exploring the meaning of family, where love and loyalty prevail.

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Product details

Paperback: 368 pages

Publisher: Atria Books; 1st edition (February 2, 2010)

Language: English

ISBN-10: 1439153663

ISBN-13: 978-1439153666

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

5,583 customer reviews

Amazon Best Sellers Rank:

#8,369 in Books (See Top 100 in Books)

I have read many historical fiction novels of plantation life and "Master" / "Slave" relationships, however this is the first that I have read where one of the slaves (indentured servants) was not a descendent of Africa, andI found this component intriguing.This story is told in alternating voices of House Slave, Belle in even numbered chapters and Indentured Servant, Lavina in odd numbered chapters. Lavina is brought to the plantation after the death of her parents on a ship, by the Ship's Captain who owns a tobacco plantation. There is mystery and mayhem at every turn and many surprises (I'm no spoiler)Even though it is a well-known and often relayed part of "OUR" history; as an African-American, it is still difficult for me to read about the slave brutality and abuse, when written by an Anglo Author.The overall story is good for the historical fiction lover.

On starting this book I believed I was really going to enjoy it. The theme of the slave trade and the effects that trade had on the lives of both masters and victims has always fascinated me. I also love historical fiction with a wide scope. So I began reading with high hopes of a new 'Gone with the Wind'.Lavinia's arrival at the big House, her loss of family, her terror at her new surroundings, her lack of coping mechanisms at age 7 were all too credible. I thought I was hooked...... then the story began to descend into melodrama, and ended up as a soap opera to rival any episode of 'The Bold and the Beautiful'!We had child and female abuse, rape, incest, paedophilia, homosexuality, drug dependence, sickness and madness; then murder by knifing, whipping, shooting and hanging. The illegitimate children became so numerous that by the end of the story I was losing track of which child belonged to which mother and could not recall those that had died (several had).... all this packaged into one story. In addition, all the white women in the story were spineless, and all the coloured slaves courageous and loyal to a fault.What a pity such a promising idea deteriorated into chaos. I was not even moved emotionally by all the sorrowful happenings, I was just in overload wondering what horrific events were waiting in the wings for both the characters in the novel.... and the readers.A disappointing read after all the hype!

This is an astoundingly accomplished first novel, and one in which the institution of slavery in the U.S. during the 19th century figures prominently. When I started to read the book, I thought that there might be a problem with the download, as the book started in the midst of a sentence, the first part of wnich was entirely absent. This, however, was not a mistake, but an element of style, and one that works extremely well as the narration's point of view shifts among various characters. Their reminiscing and descriptions combine to tell the story of Lavinia, an Irish girl orphaned, at age six, on the Atlantic passage and indentured to compensate for her passage and care.Naive to the politics of color in 19th century Virginia, Lavinia is raised in a black family as she is taught to be part of the house staff on Tall Oaks plantation. As she grows up, the hard lessons of racial discrimination are taught and learned -- never easily. Author Kathleen Grissom does an outstanding job of writing Lavinia's conflict without moralizing, though it's also abundantly clear through the tale told that slavery and discrimination are abhorrent.This is one of the best books I have read in quite some time. Although it is a novel and purposed as entertainment, it is meticulously researched and factually accurate for the historical time period. While not history, this giction makes hitory come alive, and to that extent it serves an incredibly valuable role. Grissom gives brutally accurate portrayls of the role of women; the paucity of mefical knowledge; the appalling treatment of the mentally ill; the problems of opiate addiction; the abuses of slavery (especially its destruction of families); etc.This is a book worth reading at least once, probably twice, and maybe even a third time. There is a lot here.

The Kitchen House is an extraordinary, compelling book about a tobacco plantation at the turn of the 19th century. This book was told with an unusual twist; the story centers around Lavinia, a young girl who is orphaned during her passage to America from Ireland, who becomes an indentured servant on the plantation. She is assigned to the kitchen house to assist Belle, a slave who is also the illegitimate daughter of the plantation's owner. Lavinia is torn between the slaves who become her family, and the owner and his family who live in the big house. Told in painstaking detail, this book is a gritty, realistic look at this sad time in history, but is ultimately a story of hope, family secrets, and the bonds that transcend race.

This is a wonderful, and at many times a sad story. It also highlights the "triumph of the human spirit" and faith. Based on a sad time in our history, the hardships endured, and the brave people that lived through it. I guess it would be classified as Historical Fiction but I'm sure there is more truth in it than fiction. I have also read the sequel "Glory Over Everything: Beyond the Kitchen House" and it is just as wonderful and informative. It has much value in educating us about our history and learning from it. I'm looking forward to more from Kathleen Grissom

This historical fiction touches on slavery in the south in the late eighteenth and early nineteenth centuries. This is the period usually undocumented in novels. Not only does it touch on the use of Irish indentured servants in the south, but also the complicated and shockingly brutal and tragic treatment of many of the slaves on the southern plantations in what became the acceptable way of southern plantation life before the Civil War. The extensive research done by the author is evident in the details, characters, and plot development of this novel. I found it well written and well developed in content, character, and plot.

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